I am nothing
I shall never be anything
I cannot wish to be anything.
Aside from that, I hold within me
all the dreams of the world.
Today, I’m defeated, as if I’d learned the truth.
Today, I am lucid, as if I were about to die.
Though the customarily attempts to say "I am nothing" or "I shall never be anything" is a sign of pessimistic-indulgence and negative-bolts of vexual-rage, there is just "that something" that he was apparently missing. ""I'm defeated, as if I'd learned the truth" indicates to me a man of consistent-longing? Or, perhaps a bold statement that protrudes out of the sockets of a man who looked for the darker corners instead of the ones with the dust-bunnies of light? "I am lucid, as if I were about to die." And, well, as the phrase "misery loves company" comes into play, I can say that it is safe to say that "death loves company" as well. If you speak of such matters, it can only be inevitable.
That said, there are a few of his poems that strike a chord with me. I especially like this quote by Mr. Pessoa: Poets are fakers. Hm, I'd love to read Ron Silliman or Charles Bernstein's commentary about such a quote. A sentence or two would do.
One of a few images of (...) "the cycle of Anti-(G.W.F) Hegel pictures..." Hm, I wonder what Mr. Sponsel had against Mr. Hegel? A matter of opinion, I suppose, like everything else. From the source, states: The text on the picture on the pillar on the head Hegel also comes from above, Section 323, Auxiliary, p. 274: The electricity is the purpose of pure form, which is exempt from it, the shape, their indifference Lift begins; Because the electricity is the immediate salience or even from the shape Coming, they still conditional existence, or not yet the dissolution of the shape itself, but the Superficial process, in which the differences the shape leave, but they have to their condition, And not to them as self-employed.
"All clear?" - Uh, not particularly. From Hegel himself ('aesthetics, Volume 1, p. 60): "Because the artwork is not a content in its generality as such, but this individualized general public, in front of the few sensual outlook. If the artwork is not from the principles, but it underlines the general public with the purpose of abstract teachings, then it Bildliche Sensual and the only one external and unnecessary jewelry and artwork in a broken himself, in what form and content of no more than to grow into one another. The sensuous individuals and the mentally General are then each other outwardly."